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No. sentence
1 Apollo is often found delighting the immortal gods with his songs and music on the lyre.
2 But give it to your fellow-citizens instead, or let the immortal gods have it. All of the letters are spurious.
3 According to Diogenes Laërtius, in response to Alexander's claim to have been the son of Zeus-Ammon, Anaxarchus pointed to his bleeding wound and remarked, "See the blood of a mortal, not ichor, such as flows from the veins of the immortal gods."
4 They looked like real women and could not only speak and use their limbs but were endowed with intelligence and trained in handwork by the immortal gods."
5 Gods and men had common origins, but there was an enormous gap between the immortal gods and mortal men.
6 Osiris, as a dead deity unlike the immortal gods of Greece, seemed strange to Greeks and played only a minor role in Egyptian cults in Hellenistic times.
7 In Book 9, Homer gives a more detailed description of the Cyclopes as: an overweening and lawless folk, who, trusting in the immortal gods, plant nothing with their hands nor plough;
8 Of Deucalion's birth, the Argonautica (from the 3rd century BC) states: There [in Achaea, i.e. Greece] is a land encircled by lofty mountains, rich in sheep and in pasture, where Prometheus, son of Iapetus, begat goodly Deucalion, who first founded cities and reared temples to the immortal gods, and first ruled over men.
9 They consider that the oblation of such as have been taken in theft, or in robbery, or any other offence, is more acceptable to the immortal gods;
10 In traditions, such as ancient Egyptian religion, Mesopotamian religion, and Greek religion, the immortal gods consequently were considered to have physical bodies.
11 Apuleius, defending himself against accusations of casting magic spells, defined the magician as "in popular tradition (more vulgari)... someone who, because of his community of speech with the immortal gods, has an incredible power of spells (vi cantaminum) for everything he wishes to." Pliny the Elder offers a thoroughly skeptical "History of magical arts" from their supposed Persian origins to Nero's vast and futile expenditure on research into magical practices in an attempt to control the gods.
12 The earth goddess, *Dʰéǵʰōm, is portrayed as the vast and dark house of mortals, in contrast with Dyēws, the bright sky and seat of the immortal gods.